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Scones with Nanna

Scones with Nanna Tickets on Sale Now

Scones with Nanna

September, 2024

‘Scones With Nanna’ is a site-specific immersive play. It is performed in old buildings, sometimes with a garden attached, helping add another layer of cultural significance.

It invites audiences into a space rich with history and nostalgia, allowing them to immerse themselves in the narrative on a more intimate level.

The story travels through 100 years in time while Nanna descends into the shrinking world of dementia. It maps an important time in Western Australia’s history and explores themes of cultural identity, truth telling, and wicked humour in the face of adversity.

Please note: The audience will be invited to eat scones, jam and cream (not suitable for celiac or gluten intolerant people).

The play starts when two sisters arrive at the front of Nana’s house. Well, no, the story starts nearly 200 years before hand. The sisters believe that they have brought disgrace upon the family, that is until they hear Nanna’s story. 

It is designed to be a site-specific work for 3 to five actors for an audience of 20 about people maximum, to be performed in a workers cottage, set in Fremantle WA over nearly 200 years. It will be a combination of multi-media, live performance, scone making and scone eating. It is an honest and humorous look at a family’s secrets. Secrets of prostitution, venereal disease, poverty, domestic violence, stolen generation, and hidden Aboriginal heritage. While it is set mostly in the 70’s when people were still getting their head around effective birth control and women’s growing independence, it refers back to the time when the swan River Colony was a few years old.


  
If you have donated to the ACF fundraising campaign, please let me know and I will organise a free ticket at your venue of choice.
 
Scones with Nanna has been performed in Bridgetown, York and Fremantle.
 

Scones with Nanna 2022

Song for the Martuwarra

Song for the Mardoowarra

Song for the Martuwarra

Song for the Martuwarra is an extremely beautiful puppetry work suitable for all ages.  It an exciting example of inclusive theatre where it can engage and work with the community on a number of entry levels from: puppetry and science workshops with children, those children have the opportunity to participate in the show. It can feature river stories from local rivers where the performance will take place. It can be easily redesigned to be a site specific – community performance. Alternatively the performance can stand alone.   

  A ceremony in 2014 exchanging river water from each river by elders of the Indigenous Nyikina people from the Fitzroy Valley in Western Australia and the elders of the French Ardennes was the impetus for “Ngalyak and the Flood” and this project to develop further understanding of the universal importance of both river health and the art of storytelling to connect with our natural environments.

Song for the Martuwarra tells part of the story from the Warloongarriy  Law Songline.  Woonyoomboo the first ancestor, who long, long ago in the beginning of time, went searching for food and water and travelled between living water billabongs.  Woonyooomboo was responsible for causing two giant serpents to escape from one of the billabongs, which carved a river and split it into two, forming parts of the landscape along the Martuwarra – Fitzroy River. He calls everyone to come to the river and to know how important it is to value, respect and protect the river.    

 Nyikina people believe that the rainbow serpents still live in the river.  The serpents are named Yoongoorrookoo.  When people behave disrespectfully, Yoongoorrookoo can get very angry and may drown somebody or cause a flood. Yoongoorookoo and Woonyaoomboo meet another river who is not doing so well.

This cautionary tale pays homage to the way that culture has shaped country and how country shapes culture.

This work compares shared stories and is a potent warning about the importance of caring for country and culture. It encourages us to begin listening to nature again.

Children have helped shape this work. It includes some of their stories that are told beside more ancient ones. “The Song for the Martuwarra” is sung by the children of Broome Primary School in Western Australia.

 This work is available for touring from February 2019

 

Specs

Stage size 5m x 5m Minimum Height 3m (black box)

Masked wing space,

Number of professional performers: 4

Venue supplies: Lighting as per plot, Sound system, projector set, 3 head set mikes, projector

Audience size 150 -200+      Depending on site lines

For more information Please contact: gwendolyn@westnet.com.au

Proudly supported by

Smokin- No Way

By Desert Pictures.
Puppets by the children of Palm Island QLD.
Voices by Susan Mujarri Edgar and members of the Palm Island communityPart of Qld Health teacher resource pack
Date: March 2003

Gwen’s Show Reel 2000

Producer: Big Mama Productions
6.00 mins; Clip of various activities
Date: 2000

  1. Big Mama Shinju Matsuri Festival Float Puppet – artist
  2. Frringe Festival Promotion – performer
  3. Sandfly Circus – Instructor/co-ordinator/artist
  4. Sheba Lane – Fringe Festival Associate Producer
  5. Worn Art – Costume “Melusine” designer and Artistic Director of show
  6. Shinju Matsuri Festival Puppets – artist / facilitator
  7. King Brown the Condom Snake – artist / facilitator
  8. Jabby – Artist / puppeteer/script writer/consultant
  9. Stories from the mangroves – Concept/co-ordinator/artist/Ass. Musical Director
  10. Braxten Hicks Acapella musical performance – singer.
https://youtu.be/PJH9PASCGno

Under Your Skin

13.40 min of animated video on scabies awareness
Producer: Desert Pictures, Big Mama Productions & Kimberley Public Health Unit
Date: ?

Jabby Don’t Smoke

Producer: Desert Pictures, Big Mama Productions & Kimberley Public Health Unit
Kimberley Health resource pack, produced with Wulungarra Community School, Kadjina Community and Nindilingarri Fitzroy Valley Cultural Health
Date: 1999